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A Woman basks in the aura of the moonlight, symbolizing recharge, intuition, and the potential to empower oneself. The Power of the Goddess from the Sardinan Pre-Nuragic Culture. Inspired by the Sardinian Goddess of Cabras.
Size: A3 (297 x 420 mm).
You will receive a Digital Document of the ritual you may perform under the Full Moon. The schema will aid you in manifesting your desires or releasing stagnant energies, supporting your wishes with the guidance of the Moon.
Once you have bought the digital item you will receive the Domwload Ritual in your email.
Italian or English options
NURAGIC PRIESTESS Size: A5
Nuragic Priestess from Teti - Sardinia.
Priests and priestesses have been recognised in particular statues, especially the ones of females dressed in a long cloak and a sort of so-called “witch-hat”. This figures operating in the “sacred wells” and in the antis structures, water temples similar to the sacred wells.
CARD Size: A5
The bull/cow was a predominant symbol of significant value for both the Pre-Nuragic
culture and the Nuragic civilisation. A bull’s head is often carved into the stone (a
protome) in Domus de Janas ( Fairy Houses ) and Tombe dei Giganti ( Giant’s Graves
). It persisted as a symbol until it became the totem animal of the Nuragic people’s ships.
The Lithuanian scholar and archaeologist Marija Gimbutas completed a notewor-
thy study about this symbol and the Meditteranean Goddess. In her book, “The
Language of the Goddess”, she demonstrates that the anatomy of the uterus corre-
sponds precisely to the shape of the decorative carvings (bucranium). She connects
the meaning of this symbol to birth and, consequently, the Goddess.
Eevo-Therm Photo Bottle – 500 ml Keeps liquids hot for up to 12 hours and cold for up to 24 hours Grade 304 stainless steel Double-wall construction Pop-up lid for easy pouring Holds up to 500 ml
CARD Size : A5
Cuccuru is Arrius costituiva una lieve emergenza arenacea, di formazione quaternaria, posta sulla sponda meridionale dello Stagno di Cabras,oggi pressoché totalmente asportata in seguito alla realizzazione del canale scolmatore che funge da raccordo tra lo stagno e il golfo di Oristano. L’uomo vi si insediò a partire dal Neolitico medio (cultura di Bonuighinu: V millennio a.C.), come testimoniano la necropoli ipogeica nelle cui tombe a grotticella artificiale i defunti erano deposti sul fianco sinistro in posizione contratta, accompagnati da ricchi corredi costituiti da vasi in ceramica, strumenti in pietra (accetta in pietra verde, microliti geometrici in ossidiana) ed osso (punte di zagaglia), e statuine femminili di tipo volumetrico naturalistico.
